In Veer, Young turns toward the quiet drama of moments that shift without warning. Large sheets of prepared paper are laid onto canvas, and at the final moment, a corner is folded—an instinctive, unplanned gesture that interrupts the plane and alters the composition’s path. These folds are not corrected or coerced; they are allowed to settle as they choose, drying into place with their own quiet authority.

This hands-off method heightens the emotional tenor of the work, reflecting the unpredictability that shapes a life in motion—from personal transitions to the broader uncertain rhythm of the world today. Each veer becomes a small record of change: a deviation, a pivot, a new direction formed through chance and acceptance.