Drift approaches movement as a condition rather than an event. The works resist rupture or arrival, focusing instead on how energy circulates, gathers, and disperses over time. Forms recur and curve across the surface, allowing motion to remain continuous rather than directional.

Color and texture carry this movement. Layers accumulate and are selectively stripped back, revealing lines that pass vertically and horizontally through the field. These gestures register presence without dominance. In Drift, suspension takes precedence over finality—establishing an early framework in which force is guided rather than contained, and motion remains open.